assassination-technology

His films like *Zodiac* and *The Game* meticulously explore surveillance, precision methodology, and technological systems as instruments of control and elimination.

He examines violence and media technology's role in desensitization and assassination through works like *Funny Games*, questioning the ethics of spectatorship itself.

His political films deconstruct cinema as a tool for violence and propaganda, particularly in works exploring assassination as both political act and cinematic language.