class collision

His neorealist films like 'I, Daniel Blake' and 'Kes' unflinchingly expose the brutal friction between working-class lives and institutional systems.

Films like 'Parasite' and 'Snowpiercer' use genre conventions to dissect economic inequality and class warfare with dark wit and visual precision.

His improvisational approach to character-driven narratives reveals the tensions and misunderstandings between different social classes in contemporary Britain.