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His films like 'The Apartment' and 'Sunset Boulevard' dissect corporate ambition, workplace hierarchies, and the moral compromises required for professional advancement.

Films such as 'The Social Network' and 'Zodiac' explore ruthless ambition, corporate power dynamics, and the psychological cost of professional obsession.

His work systematically critiques capitalist structures and corporate exploitation, particularly in films like 'The Merchant of Four Seasons' and his melodramas.