disability and shame

His films like 'Nobody Knows' and 'Broker' explore social marginalization and the shame surrounding poverty and disability with profound empathy and nuance.

His socially conscious cinema, particularly in 'I, Daniel Blake' and 'Sorry We Missed You,' directly addresses systemic shame imposed on vulnerable and disabled people.

Her fragmented, introspective style in films like 'You Were Never Really Here' delves into trauma, mental disability, and the internalized shame of survival.