identity and dehumanization

His body horror films like 'The Fly' and 'Videodrome' explore how technology and physical transformation dissolve the boundaries of human identity.

Works such as 'The Killing of a Sacred Deer' and 'The Lobster' depict characters stripped of agency and individuality, reduced to objects within absurd social systems.

His films like 'Funny Games' and 'The Seventh Continent' systematically deconstruct human dignity and reduce characters to instruments of violence or social indifference.