museum theft

His meticulous exploration of crime psychology and heist mechanics in films like 'Gone Girl' demonstrates his obsession with unraveling complex theft narratives and criminal minds.

His film 'Lacombe Lucien' and documentary work reveal a profound interest in moral ambiguity and the psychology of theft within institutional and societal contexts.

His intricate narratives exploring theft, obsession, and cultural artifact ownership in films like 'The Sweet Hereafter' engage deeply with questions of value, loss, and retrieval.