obsession and rejection

His films obsessively explore psychological obsession and the rejection of social norms through voyeurism and desire, most notably in *Vertigo* and *Rear Window*.

He crafts visceral narratives about obsessive protagonists consumed by rejection and isolation, exemplified in *Black Swan*, *The Wrestler*, and *Requiem for a Dream*.

His provocative cinema dissects obsession and societal rejection through detachment and psychological cruelty, as seen in *Cache* and *The Seventh Continent*.