real estate

His films obsessively examine domestic spaces as mirrors of psychological and social alienation, particularly in 'Funny Games' and 'The Seventh Continent'.

His sprawling, decaying architectural landscapes and focus on crumbling buildings become characters themselves that embody economic decline and human despair.

His comedies dissect modern urban planning and suburban development through meticulous visual satire, especially in 'Playtime' and 'Mon Oncle'.