self-loathing

His films like 'Winter Light' and 'Persona' deeply explore psychological torment, guilt, and the protagonist's contempt for their own existence and moral failings.

Works such as 'The Wrestler' and 'Black Swan' viscerally depict characters consumed by self-hatred, obsession, and the destruction that comes from despising oneself.

Films like 'Funny Games' and 'Amour' confront viewers with characters' profound self-contempt and the violence—both psychological and physical—born from internal disgust.