cinema and reality

His films blur the boundaries between dream and reality, exploring how cinema itself shapes our perception of the world through works like 'La Dolce Vita' and '8½'.

He examines the alienation between human perception and reality, questioning the authenticity of modern existence through slow, meditative cinematography in films like 'Blow-Up'.

He deconstructs narrative reality itself, creating dreamlike worlds where cinema becomes the medium to explore the unconscious and the indistinguishability of fact from fiction.